Mixtape 476: Nicki Minaj – Super Bass

Alright, so I’ve got a new idea, a new format, I guess. Instead of saying “this song is awesome” or “this is the song of the summer” forty two times this summer, I’m just going to make a mixtape (so to speak, this is the internet after all), and then “release” it as a zip file when it’s done. So this way, you can grab the songs you want, or grab the whole thing once it’s all done and assembled into a nice little package.

ANYWAY, back to business…

Nicki Minaj – Super Bass

Nicki Minaj. I know what you’re thinking: “but Craig, why would you like Nicki Minaj? You’re a male, you’re usually snarky towards the mainstream, you don’t like popular music (usually), you’ve never liked a female rapper before, why would you start now?” and so forth.

To that I say, how the fuck do you know so much about me? I’ve written, like, 3 posts, I don’t have that much personal info, and, ostensibly, we don’t know each other.

Beyond that, however, you’re right. I usually don’t like the most popular songs, I’m usually snarky and bitter towards the mainstream (is it because I’m jealous that they have gallons, literally gallons of success, while I blog for free on the internet? …maybe), and I usually don’t enjoy female rappers.

BUT, holy shit, this time it’s different. I’ve changed, I swear. That first time I heard Nicki Minaj’s verse on Kanye West’s Monster, I pricked up my ears. This chick had talent. Sorry, she had talent. She rapped with a sort of ferocity that is missing in music today. She has an anger in her rapping, but marries it with an ability to turn a phrase with the best of them, and a pop sensibility that I can get behind.

Speaking of pop sensibility, that floaty background, accented with the attack of the kick drum, the processed guitars, the synths, it all gives the song a light summer sound without feeling frivolous. It all contrasts so well with the drive and, again, ferocity Minaj brings to every verse, easing into a pop chorus. It’s never too much of a good thing, and leaves you wanting more.

Even when the chorus is little more than replicating the sound of bass coming from a car stereo (the “super” bass, I suppose), it retains something that pulls you in. Even when the track falters at the bridge, the chorus steps forth again, reminding you why you were enjoying the song so much in the first place.

Then, the song just sort of…ends. And you restart it, because holy shit, those verses, man.

So, song two of the summer mixtape for 2011, the:

Mixtape 476 – 2011

…is Nicki Minaj’s Super Bass.

1. The Dean’s List – Dear Professor

2. Nicki Minaj – Super Bass

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